Blank Slate: Ft. Griffin Creative
It’s said that two minds are better than one. After this month’s artist(s) stopped by for our Blank Slate chalkboard mural project, we’re inclined to say that THREE minds are the best! Our new friends at Griffin Creative transformed our wall into a tribute to the creativity each of us has and needs to share.
Equipped with a giant (and ingenious) transfer template and a well-trained crew of artists, the team pulled together the massive project right before our eyes. With this new piece, our office is reminded every day that we’ve each got a gift to give to the world.
We’re excited to share this piece with all of you. Now, we open the floor to Griffin to tell you how they structure their creative process. Take it away, friends!
Describe your style as an artist.
The work that we did was a collaboration by the artists at Griffin Creative. We see ourselves as graphic designers rather than illustrators. This was an unusual challenge for us.
Can you tell us a little bit about the work you created for The Black Sheep Agency office? Where did you get the idea, and what do you want viewers to learn from it?
We wanted to tell a story that was pertinent to the creative process that we all face in the commercial arena every day. The illustration is an amalgamation of ideas that serve to ask the question, “What is the creative process and why is it necessary?”
What inspires you?
We enjoy working together. Our best ideas are the result of the accidental creative process that occurs when multiple thinkers are working closely together.
If you could be any artistic tool — pencil, crayons, oil pastels, computer, etc. — which one would you be?
A pencil. It is the rudimentary form of communication at its most raw. As cavemen drew with charcoal, the pencil is its modern relative. Sometimes in the ambiguous lines of a pencil, new shapes form with a creative eye. The computer is too direct and too cumbersome to get where you want to go with an idea quickly.
What is your most favorite thing you’ve created?
It’s difficult to nail down any one particular project or outcome. Every project presents its own problems, but it’s the unusual, out-of-the-box requests that truly get us excited.
What is the first thing you do when you get up in the morning?
Open our eyes, and then have a glass of water.
What is the first thing you do when you begin a new art project?
Research, research, research.
Artists are notoriously weird. Prove it. (Or argue it.)
Charles Mingus put it best: “Creativity is more than just being different. Anybody can plan weird; that’s easy. What’s hard is to be as simple as Bach. Making the simple, awesomely simple, that’s creativity.”
Has anyone ever said to you, “I don’t get it?” If so, how do you respond to that?
Art has to stand on its own. It’s always instructional to discuss the hard to discern. Not every viewer is on their best game and, sometimes, they need a little help. Once the discussion is over, most viewers are capable of getting your point.
Fill in the blank. “I would die without ________.”
Windows in the office.
What advice do you have for other creatives?
There are a lot of highs and lows in our business. Most of our highs occur when our thought process is in sync with the client. Those informal discussions between yourself and your client are what get you in the same direction. Learn to speak “client” fluently. Keep your ideas on your sleeve.
Where can people see more of your work?