Joan Didion is a journalist and essayist whose work has appeared in Life, Esquire, The Saturday Post and The New York Times.

The Uncomfortable Topic of Grief

Joan Didion is a journalist and essayist whose work has appeared inLife, Esquire, The Saturday PostandThe New York Times. 

Condensed

As a creative agency, it’s no surprise we’re constantly trying to find new ways to be creative and mine ideas from our brains.

Creativity Daily

As a creative agency, it’s no surprise we’re constantly trying to find new ways to be creative and mine ideas from our brains. Sometimes they come freely, as if already in existence. Other times, creativity is an arduous process that feels like it may never lead anywhere.

Admittedly, I haven’t been feeling super inspired this week, so I’ll keep this brief.

Judging Imaginary People

Life can be stressful for a full-time-working, grad-school-moonlighting, Marie Kondo-style folding, suburb-commuting lady like myself.

Finding that Forward Fold

The disarming case to act right now on climate change | Greta Thunberg

There are no gray areas when it comes to survival.

In an effort to be a bit more well-versed in the ideas floating around and the concise communicating people tended to depict while speaking about them, I’d signed up to receive weekly TED Talks three weeks ago.

How Being a Geophysicist Made Me a Better Communicator

I was working as a reporter for my hometown’s paper this past summer and a super 80’s Canadian rock band was coming to town, and I was tasked with interviewing the lead singer (when I say ‘super 80’s’ I mean I remember listening to them on cassette tape with my dad).

A few months ago, I felt the need to join the rest of the modern yuppie world and find a podcast to listen to on my commute to and from work

How a podcast made me feel less alone

I eat a lot of soup for lunch when I’m at work. (Let’s face it; I’m not responsible enough for weekly meal prep.) And I’m known for eating soup.

Art, Soup and Third-Party Credibility

I eat a lot of soup for lunch when I’m at work. (Let’s face it; I’m not responsible enough for weekly meal prep.) And I’m known for eating soup. Even in the summer. From a giant soup mug that Adam warns everyone about.

You just gotta rum with it.

I’ve been reading ‘And a Bottle of Rum, A History of the New World in Ten Cocktails.’

Jan Švankmajer - BREAKFAST (FOOD 1992)

Jan Švankmajer - Lunch (Food 1992).

A look into the Grotesque with Jan Svankmajer

Czech filmmaker Jan Svankmajer has been a major influence among young animators for his strange and often grotesque short films and unusual animation and editing style.

Beautiful new words to describe obscure emotions | John Koenig

Need to express an obscure feeling? Use your words.

Juliet Capulet isn’t the only one asking “what’s in a name?” As it turns out, the Shakespearean leading lady might have been onto
something 400 years ago.

Juliet Capulet isn’t the only one asking “what’s in a name?” As it turns out, the Shakespearean leading lady might have been onto

20 Bob Ross quotes from Joy of painting - "How to be happy by Bob Ross"

If I could have a penny for every time I’ve felt overwhelmed. Work’s crazy. Life’s crazy. There’re bills and deadlines to deal with every day. Adulting is hard.

Have a Happy Little Day

But you need a breather. I need a breather. We all need a breather. A breather that’ll give us back a slice of peace and positivity in a world full of problems and pessimism, remind us that shit’s going to be just fine.

Suspiria favourite clip

Hereditary (2018) - *Creepy scene* High quality *1080p*

Halloween is Wednesday, which means we’ve had an almost full month of haunted houses, grinning jack-o-lanterns, an unwanted proliferation of candy corn and horror movies.

Horror is where the heart is

This past summer, I met my family in Junction, Texas to kayak the south fork of the Llano River.

The Disappearing Art of Iconography

Ritual vs routine: Developing habits that matter

Are you a habitual habit maker/breaker? Me too.

Unexpected: Building creativity through small rebellions

Reveling in the unexpected should be your next #lifegoal and brand strategy.

Reveling in the unexpected should be your next #lifegoal and brand strategy. Here are 5 tips to become memorable shared by our Creative Director Jo Skillman at the Creative Circles Conference 2018.

The radical act of being your authentic self

How to start a movement | Derek Sivers

The importance of being a follower in today’s leader-obsessed society

I tend to be the person who doesn’t like being the center of attention.

Reading Rainbow: Take a look. It’s now in a podcast.

Reading used to be a way to get ahead in class or learn a new thing or word.

Reading used to be a way to get ahead in class or learn a new thing or word. It was a way for me to escape, yes, but in a fun and adventurous way. Now, reading is more of an escape in a real way. My life is busy, the world around me is kind of a mess right now—I just want to forget about it sometimes.

The hidden power of smiling | Ron Gutman

At Black Sheep, we talk a lot about rebellion and activism. We’re known to enjoy protesting, wheatpasting and the occasional theft of an inanimate animal.

Smile Like Your Life Depends On It

At Black Sheep, we know storytelling isn’t just about awareness. It’s about disruption, transformation and cultural change. That’s why we loved our Account Director Shauna Garriques’ LinkedIn article, Kendrick Lamar’s Super Bowl Performance Was More Than Music—It Was a Masterclass in Impact Storytelling where she unpacks how Lamar turned the world’s biggest stage into a powerful commentary on racial injustice. His use of symbolism, risk and raw emotion sparked conversations far beyond the 13-minute performance.

We won’t rehash her insights here—and encourage you to read the full article—but we do want to build on them. Because what Kendrick Lamar did wasn’t just an example of impact storytelling. It was a lesson in narrative power—who gets to tell stories, how those stories shape public consciousness and why discomfort is often a sign you’re doing it right.


Owning the Narrative vs. Being Part of the Narrative

For decades, the Super Bowl halftime show has been about spectacle. Big names, bright lights and choreography built for mass appeal. But Kendrick Lamar didn’t just step into that tradition; he bent it to serve a deeper message.

That’s a crucial lesson for social impact leaders. Are you shaping your own story, or are you adjusting it to fit someone else’s expectations? Too often, organizations working in justice spaces are asked to soften their message for broader appeal. 

You write in order to change the world… if you alter, even by a millimeter, the way people look at reality, then you can change it. - James Baldwin

Real impact happens when stories are told with honesty and audacity, not when they’re polished into something more digestible.


Symbolism Isn’t Just an Aesthetic Choice—It’s a Strategy

One of the most striking aspects of Lamar’s performance was his use of visual storytelling. The prison yard set. The red, white and blue draped over Black bodies. The synchronized marching. The video game references. None of it was accidental. Every detail was designed to deepen the emotional impact of his message.

We believe the same is true for social movement storytelling. Symbolism isn’t decoration—it’s a strategic tool. The picture-superiority effect suggests that a well-placed visual cue is far more likely to be remembered than words alone. When we work with social impact organizations fighting challenging battles for issues like reproductive rights, labor justice and trans visibility, we ask: What do people need to feel before they understand what you’re saying? Because facts inform, but emotion moves people to action.

Perhaps the most important takeaway from Lamar’s performance is that discomfort is not the enemy—it’s the point. Social impact work should challenge assumptions, shift perspectives and push audiences to engage with hard truths.

As Shauna said, “Bold storytelling sparks dialogue, and dialogue is where change begins.”  Kendrick’s performance didn’t just make people watch—it made them feel. And for movements that challenge power, creating that kind of discomfort is often the first step toward a cultural shift.

Emotional resonance isn’t just a storytelling tool—it’s what makes messages stick. Research shows that people are far more likely to remember a message when it triggers an emotional response—especially when it highlights injustice. This reinforces a truth that every major movement for change has understood: growth comes from friction. Progress doesn’t happen passively. It requires people to engage with discomfort, challenge the status quo and push conversations forward, even when the path isn’t easy.

If you’re interested in active, powerful storytelling that sparks real impact and are ready to challenge the status quo with your own message, let’s talk. As Kendrick showed us—culture shifts when voices refuse to be silenced.

Kendrick Lamar Didn’t Just Perform—He Provoked. Here’s What We Can Learn About Narrative Power and Cultural Change.

The Power of Disruptive Storytelling

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The Black Sheep blog is turning up the volume on community engagement, social media strategy, Houston happenings and what it means to lead a purpose-driven life.

The Black Sheep Agency | Social impact and nonprofit blog

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